The technique involves manipulating physical objects in small increments between individually photographed frames. When these frames are played back in sequence, it creates the illusion of movement. A simple demonstration involves posing a clay figure, taking a picture, slightly altering its pose, taking another picture, and repeating the process. The resulting sequence, when viewed at a standard frame rate, gives the impression of the figure moving independently.
This animation method offers unique creative control and aesthetic possibilities. It has a rich history in filmmaking, from early special effects to acclaimed animated features. Its enduring appeal stems from its tangible quality and the level of detail achievable. Moreover, it allows filmmakers to produce animation without relying on complex digital tools or computer-generated imagery.
